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7360APM

SAM™ Active Studio Subwoofer – 10″

out of stock

RRP $4,295.00

OUR PRICE

$4,099.00

$4,099.00

Out of stock

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Genelec 7360A active studio subwoofer has a 10″ driver, 300w amplifier and SAM™ connectivity onboard.

“Equipped for both stereo and multi-channel audio, the 7360A intelligently adapts to your space to deliver absolute accuracy at low frequencies”

Built upon Genelec’s Laminar Spiral Enclosure (LSE™) technology, the compact 7360A boasts a staggering SPL of 109 dB with incredibly low distortion – producing LF performance that is clean, precise and articulate right down to 19 Hz. The ideal low frequency monitoring tool for small to mid-sized studios, post and broadcast facilities and OB vehicles, 7360A subwoofer ensures definition and neutrality you can trust. There is a sophisticated bass management system built in, to help get the best interaction with your nearfield monitors.

On the side, there are a stack of analogue I/O via XLR, along with comprehensive manual control of the speaker via dip switches. There is also analogue and AES/EBU inputs via XLR, plus with RJ45 for the GLM network.

GLM – Genelec Loudspeaker Management software is an intuitive and powerful monitor control networking system that manages connectivity to all SAM™ studio monitors and subwoofers on your network. The software allows adjustment of levels, distance delays and flexible room response compensation equalisation with the state-of-the-art and robust AutoCal™ automated calibration system. All parameters and settings are stored in system setup files or saved in each individual monitor or sub if the GLM network needs to be disconnected.

SPL: 109 dB
Frequency Response: 19 – 150 Hz (- 6 dB)± 3 dB (19 Hz – 100 Hz)
Driver Dimension: 10″
Amplifier Power: 300 W
Dimensions: H x W x D: 527 x 462 x 363 mm
Weight: 27 kg
Connections: 8 x XLR Analog Input8 x XLR Analog Output1 x XLR AES/EBU Input1 x XLR AES/EBU Output2 x RJ45 Control1 x XLR Analog Input1 x XLR Analog Output

FROM THE SHOP FLOOR

“It rejects off-axis sounds brilliantly, so there’s no danger of other drums or instruments bleeding into the kick drum recordings. This saves a lot of time and effort during the EQ stage of the mixing process.”

Darren, Head of Technical Sales

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