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Local input (on the back panel) includes 16x analogue XLR\/TRS combo mic\/line inputs + 2 analog RCA pin stereo line inputs. 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It's the largest model of the excellent MG series, and offers a total of 16 mic channels - if you want to really get it going with inputs. Looking at the first 8 channels (all mono), there is a Neutrik \u003cstrong\u003eCOMBI\u003c\/strong\u003e connector, to take either XLR or Jack input. There’s also a \u003cstrong\u003e1-knob compressor\u003c\/strong\u003e, as an easy way to bring a microphone or instrument to the fore, by applying as much (or as little) pre-set compression as you’d like. Following the channel down, there's 3-band eq with sweep-able midrange, three Aux sends (for stage monitor sends, or in-ears), an internal SPX effects send, pan knob, and a fader. You also get the choice of sending the signal to the Stereo (FOH) bus, or firstly either to Group 1-2, or 3-4 bus, which is handy if you’re grouping vocals (or drums) together for easy volume control of a group. 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