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LOW STOCK

NTG5

RF-Bias Shotgun Microphone with Pistol Grip, Cable, Windshields, Zip Pouch and clip.

LOW STOCK

RRP $839.00

OUR PRICE

$819.00

$819.00

The first thing you’ll notice about Rode NTG5 shotgun mic is that it’s seriously light, at just 76g.

Released at the end of 2019, NTG5 looks quite different to the other mics in the Rode NTG range, with circular ports replacing the linear slots typically found in other shotgun mics.

Combined with a tightly controlled frequency response, smooth off-axis response, and very low self-noise (just 10dBA), NTG5 sounds ‘just right’ in a wide variety of applications, particularly location recording and demanding filmmaking scenarios where superlative audio is the only option.

Being just 76g, NTG5 is a boom operator’s dream. It measures just over 20cm and also features RF-bias circuitry to ensure reliable performance in adverse environments, with excellent resistance to high humidity, severe cold, damp, and dust.

Unlike many of its peers, Rode NTG5 is a “location recording kit”, with the accessory list including a pistol grip (with suspension), along with foam windshield and fluffy windshield. See below for a full included accessory list.

  • NTG5 shotgun microphones
  • PG2-R (pistol grip with Rycote suspension)
  • WS10 fluffy windshield
  • ZP1 zippered pouch
  • RM5 microphone clip
  • Microphone interconnect cable
  • Foam windshield

NTG features:

  • Revolutionary acoustic design, delivering a natural, uncoloured sound.
  • Extremely lightweight (just 76g), and short in length (just 203mm)
  • Tailored frequency response and very low self-noise of just 10dBA
  • Highly directional supercardioid polar pattern and smooth off-axis response
  • RF-bias technology and conformal coating ensure superior performance in adverse environmental conditions
  • Comes in a complete location recording kit with WS10 windshield, PG2-R pistol grip and other accessories

Not Applicable

FROM THE SHOP FLOOR

“It rejects off-axis sounds brilliantly, so there’s no danger of other drums or instruments bleeding into the kick drum recordings. This saves a lot of time and effort during the EQ stage of the mixing process.”

Darren, Head of Technical Sales

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