If you want to be the best, then use the best.
Supercardioid condenser with 4 stage mesh pop filter. Don't buy another vocal mic without trying this one. A full frequency response from the brilliant and clear highs right down through the full mids and fat bottoms.
Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules.
In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB.
- Neumann sound on stage
- Excellent transparency for vocals/speech
- Supercardioid polar pattern with excellent feedback rejection
- Without off-axis coloration
- Transformerless output
- Effective pop shielding without any side effects
- Set includes stand clamp
- KMS105 microphone (nickel)
- SG105 stand clamp
- Padded nylon bag
|Acoustical operating principle||Pressure gradient transducer|
|Frequency range||20 Hz ... 20 kHz|
|Sensitivity at 1 kHz into 1 kohm||4.5 mV/Pa|
|Rated impedance||50 ohms|
|Rated load impedance||1 kohms|
|Equivalent noise level, CCIR||28 dB|
|Equivalent noise level, A-weighted||18 dB-A|
|Signal-to-noise ratio, CCIR (rel. 94 dB SPL)||66 dB|
|Signal-to-noise ratio, A-weighted (rel. 94 dB SPL)||76 dB|
|Maximum SPL for THD 0.5%||150 dB|
|Maximum output voltage||12 dBu|
|Dyn. range of the mic. amplifier (A-weighted)||132 dB|
|Supply voltage (P48, IEC 1938)||48 V ± 4 V|
|Current consumption (P48, IEC 1938)||3.5 mA|
|Weight||approx. 300 g|