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LOW STOCK

SM7B

Microphone Dynamic Lo Z Broadcast Voice Over Cardioid Switchable Response

LOW STOCK

RRP $1,079.00

OUR PRICE

$839.00

$839.00

There’s a lot to like about Shure SM7B. For starters, it’s one of the accepted standard microphones used for radio announce (voice) broadcast. But that’s only half of the story, SM7B is also a rocking vocal mic for studio use. With typical dynamic microphone qualities (like rejection of surrounding noises, focus on the immediate source), this mic is often the go-to choice for singers laying down a vocal scratch track in the control room while the band smashes out a smoking take. When these scratch tracks happen to be good enough to be ‘the keeper’, SM7B is your mic.

  • Includes foam winscreen, close-talk windscreen, locking yoke mount
  • Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech
  • Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting
  • Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors
  • Internal “”air suspension”” shock isolation virtually eliminates mechanical noise transmission
  • Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration
  • Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals
  • Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position
  • Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound
  • Rugged construction and excellent cartridge protection for outstanding reliability
Transducer Type: Dynamic
Polar Pattern: Cardioid
Frequency Response: 50 Hz – 20 kHz
Sensitivity (1 kHz): -59,0 dBV/Pa / 1,12 mV/Pa
Weight: 765 g
 

FROM THE SHOP FLOOR

“It rejects off-axis sounds brilliantly, so there’s no danger of other drums or instruments bleeding into the kick drum recordings. This saves a lot of time and effort during the EQ stage of the mixing process.”

Darren, Head of Technical Sales

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