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LOW STOCK

TLM 102 STUDIO SET

Cardioid Studio Condenser (Nickel) Wtih Suspension mount

LOW STOCK

RRP $1,599.00

OUR PRICE

$1,359.00

$1,359.00

Don’t be fooled by the tiny size of TLM102, there’s all of Neumann’s heart and soul locked away in there, giving you a mighty microphone with a smaller-than-expected price tag.

This version of TLM102 includes the Neumann EA4 suspension.

Here’s what we first wrote about TLM102 (without the suspension) when it was first released:

Sweet baby marmalade, this tiny Neumann is the epitomal pocket rocket. Great frequency response, with a lift around 6 kHz, TLM102 is going to sound great on vocals.

With a max SPL handling of 144 dB, it’s also going to do the business on a variety of louder instruments, such as drums, percussion, wind instruments and amps.

Priced to suit any number of broadcasters and home studios, TLM102 is also going to help bring a quality to any voice-over work you’re doing. Very nice indeed.

The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.

  • True Neumann quality at a very affordable price
  • Uniform cardioid pattern
  • Very low self-noise
  • Handles extreme SPLs without distortion
  • Integrated pop shield
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz … 20 kHz
Sensitivity at 1 kHz into 1 kohm: 11 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1 kohms
Equivalent noise level, CCIR: 21 dB
Equivalent noise level, A-weighted: 12 dB-A
Signal-to-noise ratio, CCIR (rel. 94 dB SPL): 73 dB
Signal-to-noise ratio, A-weighted (rel. 94 dB SPL): 82 dB
Maximum SPL for THD 0.5%: 144 dB
Maximum output voltage: 13 dBu
Dynamic range, A-weighted1): 132 dB
Supply voltage (P48, IEC 61938): 48 V ± 4 V
Current consumption (P48, IEC 61938): 3.5 mA
Matching connector: XLR3F
Weight: approx. 210 g
Diameter: 52 mm
Length: 116 mm

FROM THE SHOP FLOOR

“It rejects off-axis sounds brilliantly, so there’s no danger of other drums or instruments bleeding into the kick drum recordings. This saves a lot of time and effort during the EQ stage of the mixing process.”

Darren, Head of Technical Sales

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